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“Neo-Riemannian Operations, Parsimonious Trichords, and Their ‘Tonnetz’ Representations.” Neo-Riemannian Music Theories comes out before a volume on general music theory, before Formenlehre, before its own progenitor, atonal set theory, and (perhaps most strikingly) before Schenker. 'See Richard Cohn, "Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective," Journal of Music Theory 42/2 (1998): 167-79. Krumhansl, Carol, „Perceived Traid Distance: Evidence Supporting the Psychological reality of Neo-Riemannian Transformations“, in: ebd., pp 265-281. and — Cohn, Richard. Argentino, Joe. The PLR-moves of neo-Riemannian theory, when considered as reflections on the edges of an equilateral triangle, define the Coxeter group \(\widetilde{S}_3\).The elements are in a natural one-to-one correspondence with the triangles in the infinite Tonnetz. The introduction to that issue (Cohn, 1 998) provides a historical revi ew of the develop- ment of NRT , and a uni on bibl iography l ists a large number of im portant articles related to the field. Neo-Riemannian Transformation Theory can be used to describe chromatic voice leading A Brief Overview of Neo-Riemannian Transformation Theory Neo-Riemannian theory, also known as “Transformation Theory,” explores the idea that harmony can move, or transform, from one chord to another chord by only changing one pitch at a time. University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2013 Essential Neo-Riemannian Theory for Today's Musician Cohn, R. Introduction to Neo-Riemannian Theory - Free download as PDF File (.pdf), Text File (.txt) or read online for free. A Survey and a Historical Perspective.” Journal of Music Lerdahl, Fred. Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective Author(s): Richard Cohn Source: Journal of Music Theory, Vol. Hook, “Exploring Musical Space,” 49. 1998. “Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective.” Journal of Music Theory 42.2: 167 – 80. 42, No. New York: Oxford Uni- Theory 42 (2): 167–80. 12. “An Introduction to Neo-Riemannian Theory: 1 (1–2): 61–100. Ders., Richard, “Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective”, in: Journal of Music Theory 1998 (42), 2, pp 167-179. Engebretsen, Nora. 14. Abstract. “Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective.” Journal of Music Theory 42, no. 2012. As points of entry into Neo-Riemannian theory I recommend: — Cohn, Richard. 2 (1998): 167–180. Cohn, “Introduction to Neo-Riemannian Theory,” 172. 2, Neo-Riemannian Theory (Autumn, 1998), pp. this is an important point in the study of neo-Riemannian theory, the 2-D Cartesian plane in Figure 1 is more appropriate and intuitive than the torus for deciphering small-scale transformations such as those in this article. Pierrot lunaire (2,104 words) case mismatch in snippet view article find links to article 2000 accessed July 23, 2006. Richard Cohn’s article, “An Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective,” Journal of Music Theory 42.2 (1998), presents the domain of this theoretical system—both in terms of repertoire and conceptual apparatus—as squarely located in … 13. Cohn, Richard, Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective, The Journal of Music Theory. Tonal Pitch Space. Feb. 2 Neo-Riemannian Theory Cohn, Richard. 2008. “The Over-Determined Triad as a Source of Discord: Nascent Groups and the Emergent Chromatic Tonality in Nineteenth-Century German Harmonic The recently released Oxford Handbook to Topic Theory ( Mirka [2014] ) is the next entry in the series with a conventional music theoretical subject. 2001. ments to the translation; and Adrian Childs, who taught me about graph theory. Ibid.

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